Matt Dunn ,Top Model Photographer, in Orlando Florida. Top fashion, advertising, and celebrity photographer will open another studio in Orlando Florida. His work is associated with clean fashion imagery as well as slick advertising campaigns for such famous clients as Walt Disney World, Everything But Water, Ron Jon Surf Shops, and ABC Television to name but a few. His slick fashion editorial spreads have been published in Vogue, Harpers’s Bazaar, Marie Clair, Cosmopolitan, and Glamour in many countries and his work has been published in 86 countries. His stock imagery is in the libraries of Corbis, Getty, and Super Stock. He has been photographing celebrities and supermodels for three decades and is available for assignment world-wide. Still working in New York, Nashville, Los Angeles, and Miami, he will be also available for model development, model agency consultation, select weddings, portraits, and advertising work in the Orlando Florida area. Please feel free to contact Mr. Dunn at (954)529-1390 for consultation.
Are You a Professional Photographer?
Take this simple test to see if you (or someone you know) shows the characteristics of a true
You pay taxes on your income.
You file estimated tax payments q
uarterly, file state sales tax,
and you claim your income on your tax return. If you don’t, think about the number of people
who see your “page” on Facebook. It won’t take long for the state and federal revenue people
to connect your FB “business” with the fact that you don’t obey the law and report your income
like a real professional.
You have a real website
. Facebook doesn’t count. A website legitimizes you as someone who
will be around in a couple of years, and knows how to run a business.
You have an established post production workflow with backups and offsite storage
not, what are you going to tell your clients when something trashes their images and don’t have
You have backup equipment
. Say you drop your main camera/lens at a wedding. What will
you do? Where is your backup gear? How will you respond in front of your client?
You set custom white balance and calibrate your monitors
. If you don’t know what these
are, that might explain why your images don’t produce consistent colors.
You don’t rely on filters, special effects, color gimmicks or other manipulation to give
your images appeal
. If they can’t stand on their own with basic post production, are they really
that good? Getting the exposure right “in camera” is a hallmark of a talented professional.
You work with reputable print labs and equipment to generate quality printed output and
. Your clients really do want prints. Are you going to let them produce terrible prints at
the local giant store? Have you ever compared the difference?
You have insurance
. You cover your equipment, liability, and errors and omissions. Stuff
happens. Are you professional enough to be prepared?
You know how to use your camera outside of “Automatic”.
Can you estimate a manual
exposure in bright sunlight? Do you know how to use a light meter? Can you calculate
equivalent exposures across a range of ISO, shutter speed and f-stops? A professional can do
that in her head.
You know how to use all kinds of light, natural and artificial
. If you sell yourself as a
“natural light” photographer, you may not have the skills to use supplemental light to create
good images. Use of on camera and off camera flashes is often a necessity.
Your web/portfolio/sample images are clean
. Are yours blown out, dull, out of balance,
uninteresting or poorly composed? How do you know? Have you ever had another
photographer that you respect give you honest critique on your images? Your clients are not
the best judge of image quality.
You use contracts and model releases for your sessions.
Do you realize you can be liable
if you publish images that don’t have releases, particularly for minors?
You belong and actively participate in professional photography organizations.
in WPPI, PPA or a
local group? If not, why not? These groups exist to provide guidance and
fellowship and development to professionals of all levels.
You pursue continual education.
What is the last photography class you have taken? Are
you pursuing a degree or merit program? Do you teach or mentor other photographers? If not,
why not? The best professionals continually grow and share with others.
You represent the business of photography professionally.
This means that you charge a
fair price, you don’t copy others’ work, you follow through on your commitments, produce
quality products and services, and you treat other photographers with respect.
So how many of the 15 points did you get? How “professional” do you think you are? What can you do
to improve your standing in the photography community?
FOR IMMEDIATE RELEASE
Matt Dunn Photography Receives 2012 Best of Orlando Award
Orlando Award Program Honors the Achievement
ORLANDO October 21, 2012 — Matt Dunn Photography has been selected for the 2012 Best of Orlando Award in the Portrait Photographers category by the Orlando Award Program.
Each year, the Orlando Award Program identifies companies that we believe have achieved exceptional marketing success in their local community and business category. These are local companies that enhance the positive image of small business through service to their customers and our community. These exceptional companies help make the Orlando area a great place to live, work and play.
Various sources of information were gathered and analyzed to choose the winners in each category. The 2012 Orlando Award Program focuses on quality, not quantity. Winners are determined based on the information gathered both internally by the Orlando Award Program and data provided by third parties.
About Orlando Award Program
The Orlando Award Program is an annual awards program honoring the achievements and accomplishments of local businesses throughout the Orlando area. Recognition is given to those companies that have shown the ability to use their best practices and implemented programs to generate competitive advantages and long-term value.
The Orlando Award Program was established to recognize the best of local businesses in our community. Our organization works exclusively with local business owners, trade groups, professional associations and other business advertising and marketing groups. Our mission is to recognize the small business community’s contributions to the U.S. economy.
SOURCE: Orlando Award Program
Playgrounds are an integral part of any childhood. They’re a place to run and jump, make new friends, and try new things. That is why a playground is a fantastic place to make great pictures. But before you grab your little ones and head to the nearest park, here are a few tips you’ll want to know.
Though it is natural for us to take pictures while standing, when photographing kids, you may want to try getting closer to the ground. Shooting on a child’s level will prevent the distortion of bigger heads and little feet you sometimes get when shooting down on little ones from a standing position. Plus, you will see more of your child’s face and less of the top of her head. It can also give your photographs a better feel for how they see the world.
A zoom lens is a perfect lens to use when capturing images of your kids at play. Pros use the expression “fill the frame.” It means move in and compose the photo by including only what is important to your shot. For example, if you are photographing your child blowing bubbles, instead of photographing a full-length image with the playground in the background, zoom into her face as she blows the bubbles, or crop tightly on her hand waving the bubble wand in the air.
At the playground (or anywhere, for that matter) it’s going to be pretty hard to have your kids stand still for a photo. The solution is to capture them in action. Just be sure you set your camera to a fast shutter speed and if the camera you’re using has scene modes, use the sports scene mode. This will ensure that you freeze the action, instead of ending up with a blur running through the image.
Take photos of your kids on the swings, coming down the slide, climbing on the monkey bars, and any other playground apparatus. Be sure to experiment with different angles. You might be happily surprised with the results. Look for the geometric shapes and bright colors that fill the playground and include them in your compositions for more interesting photographs.
If your kids do slow down enough to let you pose a few photos, try capturing an impromptu portrait. Zoom in close to capture the joyous expressions.
And, remember that playgrounds will often incorporate picnic tables, ball courts, winding paths and more—all possible subjects for great photographs of your kids at play.
A playground is a great place for kids to have fun and can be a great place for a photographer to have fun, too!
Our biggest fear is not that we are inadequate.
Our deepest fear is that we are powerful beyond measure.
It is our light, not our darkness, that most frightens us.
You are a child of God.
You playing small doesn’t serve the world.
There’s nothing enlightened about shrinking so that other people won’t feel insecure around you.
We were born to make manifest the glory of God that is within us.
It’s not just in some of us; it’s in every one of us.
And as we let our own light shine, we unconsciously give other people permission to do the same.
As we are liberated from our fear of our own excellence, our presence automatically liberates others.